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Canon EOS C50: Redefining Hybrid Cinema with Compact Power

 

 

Canon EOS C50 7K Full Frame Cinema Camera

R79,195.00
SKU: 7034C011AA
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Meet Canon’s New Full-Frame Cine Zoom Lenses

Canon has launched its first full-frame cinema zoom lenses: the CN-E20-50mm T.2.4 L F/FP and CN-E45-135mm T2.4 L F/FP. Both lenses feature dedicated focus, zoom, and iris rings with industry-standard 0.8mm pitch gears. In addition, the gears are located at the same position on both lenses, so you can switch between both in seconds. The focus throw is 300 degrees on both lenses, with luminous markings engraved for easy operation in low-light environments. According to the company, “the two cine-zoom lenses inherit the same subtle, warm colour tone synonymous with Canon’s full range of Cinema lenses.”

Available in EF and PL mount and designed for use on full frame 35mm and Super35mm cameras, they include Lens Metadata Support such as Cooke /i Technology™ and Zeiss eXtended Data™ protocols.

The new large-aperture lenses feature high-level optical design and performance while sticking with the style and ease of use of Canon’s EF Cinema lens series. With these two zoom lenses — featuring focal length ranges of 20-50mm for wide-angle and 45-135mm for telephoto — you can now cover the same range as its six existing prime lenses, going from 20mm to 135mm, which should cover most of your needs. Both lenses maintain a fast, constant T2.4 aperture across the entire zoom ranges, allowing for image capture in both natural light and darker environments. The lenses also have very similar dimensions and weight.

Both lenses feature 11 iris blades diaphragm and have a 114mm front diameter for clip-on matteboxes. Minimum focusing distance of the 20-50mm is 2″/60cm, while the 45-135mm is 3.3″/1m.

Lens Features from Canon official:

Designed for full frame cinema cameras

Capture increased cinematic quality, wider field-of- view, and greater depth-of-field. This compact and lightweight lens is designed for use on full frame 35mm sensor cameras.

Cinematic look with 4K optical quality

The lens produces superb colour rendition and detail, with sharp images from the centre to the outer edges, perfect for 4K HDR capture. 11 aperture blades create soft beautiful light rays and stunning depth of field falloff, whilst an internal focusing system delivers minimised focus breathing and excellent parfocal performance. The lenses render the beautiful and warm colour tones synonymous with Canon’s cinema lens family.

Constant T2.4 and broad focal length coverage

With a consistent light transmission of T2.4 throughout the zoom range, the Flex Zoom series offers a broad focal range from the wide-angle CN-E20-50mm T2.4 L F / FP, to the mid-focal range of the CN-E45-135mm T2.4 L F / FP. These lenses are the ideal pairing to cover a wide range of shooting situations.

Advanced Lens Metadata Support

The Flex Zoom series are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function, including Cooke /i Technology™, and ZEISS eXtended Data™ (PL mount) and EF mount. This will enable to display or record lens meta data as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras. External 4-pin Lemo communication provides metadata support for cameras not compliant with the above protocols.

Robust design and useful handling features

Both the CN-E20-50MM T2.4 L F / FP and CN-E45- 135MM T2.4 L F / FP share the same design with consistent front diameter, gear positions and gear rotation angles. Focus, zoom, and iris dials feature industry standard gears and 0.8mm pitch to suit third party follow focus accessories. The lens features luminous (glow in the dark) metric and imperial markings for easy operation in low light. Built for longevity, the premium design and outstanding optics and components, offer quick and precise operation, with durability ideal for professional video productions.

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Canon Releases its EOS R3 Pro Mirrorless Camera 

Canon has officially announced its EOS R3. While the company confirmed plans for the highest-end mirrorless camera earlier this year, it has finally released full camera specs, and we’re impressed!

While the 24-megapixel stacked BSI sensor is lower resolution than the EOS R5’s, the R3 is all about high-speed performance, fast and precise focusing, and low light capability. This is Canon’s top mirrorless body and is positioned between the high-res EOS R5 mirrorless body and the professional-grade flagship EOS-1D X Mark III DSLR. The R3 combines the speed, reliability, and robustness of the 1D X Mark III along with the advanced technology and mirrorless design of the R5.

Canon hasn’t just repackaged its existing tech, there’s also a plethora of new features in the camera, including an all-new stacked sensor, Eye Control AF, and a built-in vertical grip. The EOS R3 sports a brand-new 24.1MP back-illuminated stacked CMOS sensor and an updated DIGIC X image processor. This translates to faster readout speeds and reduced rolling shutter distortion. The BSI design is more efficient when gathering light, leading to cleaner image quality with less noise.

 Canon says it can shoot at up to 30fps with the electronic shutter and 12fps with the mechanical shutter, and the maximum native ISO is 102,400.

Ever used a camera that feels like it’s reading your mind? The R3 includes next-generation Eye Control autofocus technology that focuses wherever you are looking. This unparalleled control over AF allows the camera to react as quickly as you do – allowing you to respond fast to ever-changing scenes. According to Canon, photographers can select an initial AF point with eye tracking just by looking at an area of the 5.76-million-dot electronic viewfinder. The R3 has 1,053 AF points in total, and also makes use of this deep learning technology to recognise people, animals and vehicles accurately and confidently – wherever they move in the frame.

While the R3 produces sensational stills, it is a professional hybrid, able to capture cinematic, broadcast-quality video as well. With features that empower filmmakers to new levels of creativity, the R3 can shoot 6K at 60fps and uncropped 10-bit 4K at 120fps in the Canon Log 3 profile, which also provides greater dynamic range and colour-grading possibilities. Crucially, the same object recognition available to stills photographers is also available to videographers, so you can track moving objects around the frame, keeping them in sharp focus even when working. A handy feature for video shooters is the vari-angle touchscreen, which has a super-crisp 4.1 million-dot resolution.

Another new feature is the new Multi-Function Shoe in the middle of the camera, which will allow for high-speed data transfer between the camera and any compatible accessories that you mount on top of it. The new Directional Stereo Microphone (DM-E1D) and Speedlite Transmitter (ST-E10) are both fully compatible with the new shoe – which means they can draw power from the camera.

Announced alongside the new EOS R3 camera body, Canon is also introduced two new lenses, the RF 100-400mm f/5.6-8 IS USM and RF 16mm f/2.8 STM.

Canon EOS R3 key specifications

  • 24MP Stacked CMOS Dual Pixel AF sensor
  • 30 fps E-shutter (w/ full 14-bit Raw)
  • 5.69M-dot EVF with Eye Control AF
  • No EVF blackout in e-shutter mode
  • OVF simulation mode that exploits HDR viewfinder
  • E-shutter with flash sync up to 1/180 sec
  • Truer-to-life PQ HDR capture as 10-bit HEIF files
  • Dual Pixel AF with improved subject recognition
  • AF rated as working down to -7.5EV (with F1.2 lens)
  • CFexpress Type B and UHS-II SD slots
  • DCI or UHD 4K video at up to 120p, oversampled up to 60p