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Nikon Announces Development of the NIKKOR Z 120-300mm f/2.8 TC VR S: A New Professional Standard

Nikon Z 120-300mm

Nikon has sent a shockwave through the photography world today, May 7, 2026, with the official development announcement of the NIKKOR Z 120-300mm f/2.8 TC VR S. This highly anticipated lens is set to become a cornerstone of the Z-mount ecosystem, bridging the gap between standard telephoto zooms and long primes while introducing professional-grade versatility that was previously the domain of the F-mount’s legendary “swan song” DSLR optics.

The Ultimate Hybrid Telephoto

The NIKKOR Z 120-300mm f/2.8 TC VR S is more than just a zoom lens; it is a dual-purpose tool designed for the rigors of high-stakes sports, news, and wildlife photography. By maintaining a constant f/2.8 maximum aperture throughout its native 120-300mm range, Nikon provides photographers with the light-gathering power and shallow depth-of-field required for isolating subjects in dimly lit arenas or during the golden hour in the field.

However, the “TC” in its name is the real game-changer. Following the design philosophy of the Z 400mm and 600mm TC primes, this lens features a built-in 1.4× teleconverter. With the simple flick of a physical switch, photographers can instantly extend their reach to 168-420mm at f/4. This eliminates the need to swap lenses or fumble with external converters in dusty or fast-paced environments, ensuring that the “decisive moment” is never missed.

S-Line Heritage and Performance

As a member of the prestigious S-Line, the 120-300mm f/2.8 TC VR S is built to Nikon’s most exacting standards. While full specifications are still under wraps, the development announcement confirms that the lens will prioritize “superior optical performance and mobility.”

Key features observed from the initial product renderings and press details include:

  • Vibration Reduction (VR): Essential for a lens of this focal length, the VR system will likely integrate seamlessly with the in-body image stabilization (IBIS) of the Nikon Z8 and Z9.
  • Professional Controls: The lens barrel appears to feature an A/M switch, L-Fn (Lens Function) buttons for custom assignments, and a dedicated drop-in filter slot—a hallmark of Nikon’s high-end super-telephoto glass.
  • Advanced Weather Sealing: Given its target audience, we can expect robust dust and drip resistance for all-weather reliability.
Nikon Nikkor Z 120–420mm

Market Impact: Challenging the Status Quo

This lens arrives as a direct successor to the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR, which was the final masterpiece of the F-mount era. Transitioning this specific focal range to the Z-mount allows Nikon to leverage the shorter flange distance and wider mount diameter for even sharper corner-to-corner resolution and faster autofocus tracking.

The 120-300mm range is particularly valuable for field sports like football or soccer, where a 70-200mm often feels too short and a 400mm prime can be too restrictive. By offering a 120-420mm range in a single unit, Nikon is effectively providing a “two-in-one” solution that could replace multiple lenses in a professional’s kit.

Availability and What’s Next

While Nikon has not yet confirmed a specific release date or price, historical development cycles suggest we could see a full launch within the next several months. Given that its predecessor retailed for nearly $9,500 and the Z 400mm f/2.8 TC VR S sits around $14,000, this lens will undoubtedly be a significant investment for professionals.

For Z-series shooters, the announcement is a clear signal: Nikon is committed to dominating the professional sports and wildlife market. Whether you are capturing a sprint to the finish line or a rare moment in the wild, the NIKKOR Z 120-300mm f/2.8 TC VR S is shaping up to be the most versatile telephoto zoom ever made.

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Meet Canon’s New Full-Frame Cine Zoom Lenses

blogCanonCineLensescover

Canon has launched its first full-frame cinema zoom lenses: the CN-E20-50mm T.2.4 L F/FP and CN-E45-135mm T2.4 L F/FP. Both lenses feature dedicated focus, zoom, and iris rings with industry-standard 0.8mm pitch gears. In addition, the gears are located at the same position on both lenses, so you can switch between both in seconds. The focus throw is 300 degrees on both lenses, with luminous markings engraved for easy operation in low-light environments. According to the company, “the two cine-zoom lenses inherit the same subtle, warm colour tone synonymous with Canon’s full range of Cinema lenses.”

CanonCN E20 50mmT24LFFP Featured 1300x750 1

Available in EF and PL mount and designed for use on full frame 35mm and Super35mm cameras, they include Lens Metadata Support such as Cooke /i Technology™ and Zeiss eXtended Data™ protocols.

The new large-aperture lenses feature high-level optical design and performance while sticking with the style and ease of use of Canon’s EF Cinema lens series. With these two zoom lenses — featuring focal length ranges of 20-50mm for wide-angle and 45-135mm for telephoto — you can now cover the same range as its six existing prime lenses, going from 20mm to 135mm, which should cover most of your needs. Both lenses maintain a fast, constant T2.4 aperture across the entire zoom ranges, allowing for image capture in both natural light and darker environments. The lenses also have very similar dimensions and weight.

Both lenses feature 11 iris blades diaphragm and have a 114mm front diameter for clip-on matteboxes. Minimum focusing distance of the 20-50mm is 2″/60cm, while the 45-135mm is 3.3″/1m.

Lens Features from Canon official:

Designed for full frame cinema cameras

Capture increased cinematic quality, wider field-of- view, and greater depth-of-field. This compact and lightweight lens is designed for use on full frame 35mm sensor cameras.

Cinematic look with 4K optical quality

The lens produces superb colour rendition and detail, with sharp images from the centre to the outer edges, perfect for 4K HDR capture. 11 aperture blades create soft beautiful light rays and stunning depth of field falloff, whilst an internal focusing system delivers minimised focus breathing and excellent parfocal performance. The lenses render the beautiful and warm colour tones synonymous with Canon’s cinema lens family.

Constant T2.4 and broad focal length coverage

With a consistent light transmission of T2.4 throughout the zoom range, the Flex Zoom series offers a broad focal range from the wide-angle CN-E20-50mm T2.4 L F / FP, to the mid-focal range of the CN-E45-135mm T2.4 L F / FP. These lenses are the ideal pairing to cover a wide range of shooting situations.

Advanced Lens Metadata Support

The Flex Zoom series are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function, including Cooke /i Technology™, and ZEISS eXtended Data™ (PL mount) and EF mount. This will enable to display or record lens meta data as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras. External 4-pin Lemo communication provides metadata support for cameras not compliant with the above protocols.

Robust design and useful handling features

Both the CN-E20-50MM T2.4 L F / FP and CN-E45- 135MM T2.4 L F / FP share the same design with consistent front diameter, gear positions and gear rotation angles. Focus, zoom, and iris dials feature industry standard gears and 0.8mm pitch to suit third party follow focus accessories. The lens features luminous (glow in the dark) metric and imperial markings for easy operation in low light. Built for longevity, the premium design and outstanding optics and components, offer quick and precise operation, with durability ideal for professional video productions.