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Meet Canon’s New Full-Frame Cine Zoom Lenses

Canon has launched its first full-frame cinema zoom lenses: the CN-E20-50mm T.2.4 L F/FP and CN-E45-135mm T2.4 L F/FP. Both lenses feature dedicated focus, zoom, and iris rings with industry-standard 0.8mm pitch gears. In addition, the gears are located at the same position on both lenses, so you can switch between both in seconds. The focus throw is 300 degrees on both lenses, with luminous markings engraved for easy operation in low-light environments. According to the company, “the two cine-zoom lenses inherit the same subtle, warm colour tone synonymous with Canon’s full range of Cinema lenses.”

Available in EF and PL mount and designed for use on full frame 35mm and Super35mm cameras, they include Lens Metadata Support such as Cooke /i Technology™ and Zeiss eXtended Data™ protocols.

The new large-aperture lenses feature high-level optical design and performance while sticking with the style and ease of use of Canon’s EF Cinema lens series. With these two zoom lenses — featuring focal length ranges of 20-50mm for wide-angle and 45-135mm for telephoto — you can now cover the same range as its six existing prime lenses, going from 20mm to 135mm, which should cover most of your needs. Both lenses maintain a fast, constant T2.4 aperture across the entire zoom ranges, allowing for image capture in both natural light and darker environments. The lenses also have very similar dimensions and weight.

Both lenses feature 11 iris blades diaphragm and have a 114mm front diameter for clip-on matteboxes. Minimum focusing distance of the 20-50mm is 2″/60cm, while the 45-135mm is 3.3″/1m.

Lens Features from Canon official:

Designed for full frame cinema cameras

Capture increased cinematic quality, wider field-of- view, and greater depth-of-field. This compact and lightweight lens is designed for use on full frame 35mm sensor cameras.

Cinematic look with 4K optical quality

The lens produces superb colour rendition and detail, with sharp images from the centre to the outer edges, perfect for 4K HDR capture. 11 aperture blades create soft beautiful light rays and stunning depth of field falloff, whilst an internal focusing system delivers minimised focus breathing and excellent parfocal performance. The lenses render the beautiful and warm colour tones synonymous with Canon’s cinema lens family.

Constant T2.4 and broad focal length coverage

With a consistent light transmission of T2.4 throughout the zoom range, the Flex Zoom series offers a broad focal range from the wide-angle CN-E20-50mm T2.4 L F / FP, to the mid-focal range of the CN-E45-135mm T2.4 L F / FP. These lenses are the ideal pairing to cover a wide range of shooting situations.

Advanced Lens Metadata Support

The Flex Zoom series are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function, including Cooke /i Technology™, and ZEISS eXtended Data™ (PL mount) and EF mount. This will enable to display or record lens meta data as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras. External 4-pin Lemo communication provides metadata support for cameras not compliant with the above protocols.

Robust design and useful handling features

Both the CN-E20-50MM T2.4 L F / FP and CN-E45- 135MM T2.4 L F / FP share the same design with consistent front diameter, gear positions and gear rotation angles. Focus, zoom, and iris dials feature industry standard gears and 0.8mm pitch to suit third party follow focus accessories. The lens features luminous (glow in the dark) metric and imperial markings for easy operation in low light. Built for longevity, the premium design and outstanding optics and components, offer quick and precise operation, with durability ideal for professional video productions.

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Canon Announces the Development of its EOS R3 Pro Mirrorless Camera

The Canon EOS R3 has just been announced by the camera giant – While details are limited, the camera will clearly be positioned above the EOS R5. Cross this with build quality and speed of the EOS 1D X Mark III, and it’s looking like this will be Canon’s most powerful full -frame stills camera for sports and news photographers.

Canon boasts that the EOS R3 features a new BSI stacked CMOS sensor, a powerful DIGIC X imaging processor, shooting capabilities of 30fps with AF/AE tracking, eye, head and body detection and a pioneering new autofocus Eye Control Function. It is the ideal camera for action photographers looking for quality images, both still and moving, of objects travelling at intense speeds.

The R3 is promised to be an “outstanding complement” to the two super-telephoto lenses also announced for the RF mount: the RF400mm f/2.8 L IS USM and RF600mm f/4 L IS USM, and that it will place great emphasis on “superb autofocus performance and speed, with fast-moving subjects.”

With pin-sharp accurate tracking and focus on fast-moving action, the EOS R3’s next generation Dual Pixel CMOS AF can track subjects’ eyes, heads and bodies travelling at speed – excellent for capturing even the finest of details in a split second. What’s more, Canon reveals it will add a new subject (yet to be disclosed) to the camera’s AF tracking.

One exciting new feature is the ground-breaking Eye Control Function, which enables users to simply select and move the AF point using their eye via the viewfinder. This instinctive feature offers professionals natural and speedy control over AF. Reducing the time to focus, which is usually done with a multi-controller/button.

The EOS R3’s build is Inspired by the EOS-1D series, allowing for ultra-intuitive control in the most demanding professional situations. Professionals will have the confidence to keep on shooting – whatever the conditions – whether they are pitch side or poolside, inside or outside, in snow or sunshine.

Initial EOS R3 key features:

·       New Canon-developed stacked BSI CMOS sensor

·       30fps with AF/AE tracking

·       Eye Control Function

·       Subject eye and head detection

·       Dual Pixel CMOS AF

·       1D series weather resistance

New lenses also announced:

The RF 100mm F2.8L MACRO IS USM – an impressive macro and portraiture lens which is the world’s first AF macro lens with 1.4x close-up magnification. In addition to this Canon also revealed details of a the new RF 400mm F2.8L IS USM and RF 600mm F4L IS USM, two telephoto prime lenses designed to meet the demands for sports and wildlife professionals, with incredible focal lengths and capabilities, especially when paired with EOS R3.