Description
ARRI MMB-1 Mini Matte Box Top-Load Set with 114mm Back: Compact, Precision Control for Professional Cinematography
The ARRI MMB-1 Mini Matte Box Top-Load Set with 114mm Back is a premium matte box solution engineered for professional filmmakers, cinematographers, and camera assistants seeking precise control over image quality and flare management without compromising mobility. Designed with ARRI’s legendary build quality and optical engineering, this compact matte box combines modular versatility, rugged durability, and intuitive operation—making it ideal for narrative, documentary, commercial, and handheld productions.
Superior Flare Control and Lens Protection:
At its core, the MMB-1 Top-Load Set provides filmmakers with effective stray light suppression and reflection control, enabling cleaner images, deeper contrast, and more consistent results on set. The top-loading design allows quick and easy insertion and rotation of filter stages, helping you adapt rapidly to changing lighting conditions without repositioning your entire rig. With its precision-engineered 114mm back adapter, the system integrates cleanly with lenses and accessories in your workflow, offering professional-grade optical control while maintaining a compact form factor.
Efficient and Ergonomic Top-Loading System:
The defining feature of the MMB-1 is its top-loading filter stage, which elevates operational efficiency in fast-paced environments. By allowing filters to be loaded downward into the matte box from above, the system prevents accidental dust or debris from entering your optical path during changes. This streamlined workflow is particularly valuable during handheld, gimbal, or stepladder setups where access from the front is limited.
Modular Design and Compatibility:
The MMB-1 Set with 114mm back is designed to work seamlessly with ARRI’s ecosystem. The 114mm back provides compatibility with a wide range of lenses and adapter rings, facilitating integration with existing rigs, follow focus systems, and support gear. Built from rugged, lightweight materials, the matte box base is durable enough for rigorous production environments—offering stability and repeatability shot after shot.
Professional-Grade Construction:
True to ARRI’s filmmaking heritage, the MMB-1 employs CNC-machined components and precision tolerances that ensure smooth operation and long service life. The lightweight housing minimizes overall rig weight while maintaining structural integrity, so you can build configurations that balance performance with portability. The matte box’s design also supports the addition of optional flags and accessories, giving you even more control over unwanted light and reflections.
Ideal for Hybrid and Compact Setups:
While built to meet the needs of high-end cinema workflows, the MMB-1’s size and adaptability make it an excellent choice for DSLR and mirrorless cinematography, gimbal work, and content creation setups that require professional flare control without excessive bulk. Whether you’re on a narrative set, commercial shoot, or run-and-gun production, this matte box delivers cinematic image refinement and dependable performance.
Key Features:
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Top-Load Filter Configuration: Quick, efficient filter changes with reduced front access requirement
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114mm Back Adapter: Broad compatibility with lenses and accessories
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Flare and Reflection Control: Optimizes contrast and reduces unwanted light artifacts
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Professional Construction: CNC-machined components and lightweight design
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Modular Expandability: Supports optional flags and accessories for enhanced control
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Compact Form Factor: Perfect for handheld, gimbal, and compact rigs
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Durable and Reliable: Built to withstand the rigors of professional production environments
The ARRI MMB-1 Mini Matte Box Top-Load Set with 114mm Back is a refined tool that brings cinematic flare control and operational efficiency to filmmakers of all disciplines. Combining ARRI’s engineering excellence with flexible functionality, it elevates your optical management and helps you capture cleaner, more controlled images—whether on set or in the field.
