Category: Cameras

Medium format photography has traditionally been associated with ultra-high image quality, slower workflows, and premium price tags reserved for niche professionals. With the introduction of the Fujifilm GFX100 II, that narrative continues to shift. Fujifilm has once again pushed the boundaries of what medium format can deliver – combining extreme resolution, speed, intelligent autofocus, and genuinely usable video features in a camera that remains surprisingly accessible for its class.

At the heart of the GFX100 II is Fujifilm’s newly developed 102‑megapixel GFX 102MP CMOS II HS sensor, paired with the powerful X‑Processor 5. Together, they create the most advanced GFX system to date and position the GFX100 II as one of the most competitive medium-format cameras on the market.

A 102MP Sensor Built for Speed

The GFX100 II introduces the GFX 102MP CMOS II HS sensor, a significant evolution over previous generations. While maintaining the enormous resolving power expected from medium format, this new sensor features a readout speed approximately twice as fast as the GFX100S. This improvement has far‑reaching implications across photography and video. Faster readout reduces rolling shutter, improves responsiveness, and enables performance levels that were previously unthinkable in medium-format systems. Whether capturing high‑resolution stills or shooting cinematic video, the sensor delivers exceptional detail, dynamic range, and tonal depth-hallmarks of Fujifilm’s large‑format imaging philosophy.

X‑Processor 5: Powering a New Generation of Performance

The inclusion of X‑Processor 5 is a defining upgrade for the GFX100 II. Borrowed from Fujifilm’s latest X Series flagships, this processor dramatically improves overall camera performance. One of the standout benefits is speed. The GFX100 II is capable of continuous shooting at up to 8 frames per second, an impressive feat for a 102-megapixel medium-format camera. This opens the door to applications such as fashion, editorial, documentary, and even certain sports or wildlife scenarios – areas traditionally dominated by full‑frame systems. The processor also enables more sophisticated autofocus algorithms, faster image processing, improved buffer performance, and advanced video capabilities.

Surgically Accurate Autofocus

Autofocus has long been a perceived weakness of medium format systems. The GFX100 II addresses this head‑on with a vastly improved AF system powered by AI‑based subject detection. With phase‑detection AF across the sensor and deep‑learning algorithms, the camera can accurately track faces, eyes, animals, birds, vehicles, and more. Autofocus performance is not only faster but significantly more reliable, even in challenging lighting conditions. For photographers working with shallow depth of field on large sensors, this level of AF precision is transformative-allowing them to focus on composition and timing rather than technical limitations.

Medium Format Meets Serious Video

Perhaps the most groundbreaking aspect of the GFX100 II is its video capability. This camera introduces advanced video features never before seen in the GFX or X Series, redefining what medium format video can look like.

Key video highlights include:

• Internal 8K video recording
• High‑bit‑depth recording options for professional workflows
• Improved rolling shutter performance thanks to faster sensor readout
• Advanced colour science and film simulations

These features make the GFX100 II a viable option for high‑end commercial video, fashion films, documentaries, and cinematic storytelling areas where medium format was previously impractical.

Exceptional Image Quality Without the Extreme Price Tag

While medium format cameras are never inexpensive, the GFX100 II stands out by offering exceptional value within its category. Compared to other medium-format systems on the market, Fujifilm delivers industry‑leading resolution, modern autofocus, and cutting‑edge video features without reaching the prohibitive price levels often associated with ultra‑high‑resolution cameras. This positions the GFX100 II as an attractive option for professionals who demand the highest image quality but still need versatility, speed, and a realistic return on investment.

How It Fits Into the Medium Format Landscape

The medium format market includes several strong contenders, each with its own strengths-ranging from ultra‑high‑end studio systems to more traditional photographic tools. What makes the GFX100 II stand out is its balance. It delivers resolution on par with top‑tier systems while offering performance characteristics, speed, autofocus, and video that rival or exceed many full‑frame cameras. Rather than being limited to controlled studio environments, the GFX100 II is a true hybrid tool, capable of adapting to a wide range of professional workflows.

Who Is the Fujifilm GFX100 II For?

The GFX100 II is designed for professionals who refuse to compromise. It is ideal for:

• Commercial and fashion photographers
• Landscape and fine art photographers
• High‑end portrait shooters
• Hybrid creators working across photo and video
• Studios looking to upgrade image quality without locking into ultra‑niche systems

If you require extreme resolution, dependable autofocus, and forward‑thinking video capabilities in one camera, the GFX100 II is one of the most compelling medium format options available today.

Final Thoughts

The Fujifilm GFX100 II is not just an incremental update-it represents a fundamental shift in what medium format cameras can achieve. With a faster 102MP sensor, X‑Processor 5, 8fps continuous shooting, intelligent autofocus, and advanced video features, Fujifilm has created a camera that blurs the line between medium format and high‑performance hybrid systems. For creatives seeking the highest image quality without sacrificing speed, versatility, or modern workflow demands, the GFX100 II sets a new benchmark in the medium format space.

Nikon has officially entered the cinema camera space with the launch of the Nikon ZR, a groundbreaking addition to the Z CINEMA series. Packed with internal 6K RAW recording, RED-curated colour workflows, and the world’s first 32-bit float audio recording, the ZR is designed to deliver uncompromising cinematic performance in the smallest possible body. At just 540g, the ZR is the lightest model in the Z CINEMA range and one of the most portable cinema cameras in its class. Built with a magnesium alloy frame that’s dust- and drip-resistant, this camera is engineered for reliability, whether you’re in the studio or out in the field.

A New Standard for Mobile Workstations

The Nikon ZR is proof that big cinematic power can come in small packages. Despite its compact form, it’s designed to replace bulky rigs while delivering industry-leading performance:

• Internal 6K RAW capture (R3D NE, N-RAW, ProRes RAW HQ)
• 32-bit float in-camera audio recording with 3.5mm jack and OZO Audio support
• Dual Base ISO for flexible exposure control
• Direct Frame.io uploads via NX Mobile Air for seamless workflows
• Silent, uninterrupted 2+ hour recording thanks to advanced heat dissipation

Built-In Cinematic Control

Filmmakers will appreciate how the ZR places cinematic colour, monitoring, and motion tools right at their fingertips.

• Cinematic Video Mode standardises shutter angle, frame rate, and colour tone for consistent results.
• Nine RED-curated Imaging Recipes offer creative looks previewed in real time.
• Support for seven video formats, including 12-bit RAW, 6K/59.94p, and 4K/120p.
• Advanced monitoring tools such as waveform, histogram, zebras, and LUT previews (up to 65-point).
• A configurable shutter angle (5.6°–360°) for precise motion blur control.
• Deep-learning AF system with 273 points and subject detection across people, animals, vehicles, and even aircraft.

Key Specs at a Glance

This integration of RED’s R3D NE codec into a Nikon body is a first – bringing RED’s colour science to a new generation of compact cinema cameras.

– Codec: RED R3D NE
– RAW video: 6K/60p, N-RAW, ProRes RAW HQ
– Dual Base ISO: 800/6400
– Dynamic range: 15+ stops
– Audio: 32-bit float, OZO Audio, 3.5mm input
– Slow motion: 10x FHD (239.76p), 4x 4K slow-mo
– Cloud: Frame.io integration
– Monitoring: Waveform, LUTs, histogram
– Stabilisation: 5-axis IBIS
– Build: Magnesium alloy, dust-and-drip resistant
– Weight: 540g

Nikon ZR: A New Era of Compact Cinema

With the ZR, Nikon is signalling a bold move into professional filmmaking – blending the portability of mirrorless systems with the workflows and image quality expected of cinema cameras. From indie productions and documentary shoots to live broadcasts and commercial sets, the ZR is built to adapt. For filmmakers, the arrival of the Nikon ZR marks the beginning of an exciting new chapter. Compact. Powerful. Cinematic. The future of Nikon cinema has arrived.